Conjuring Tricks with Coins, Watches, Rings and Hankerchiefs Book PDF, ePub eBook

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Book Descriptions:
An excerpt from the Introduction:

BEFORE proceeding to the practice of the magic art, it will be well to give a short description of two or three appliances, which are of such constant use that they may be said to form the primary stock-in-trade of every conjuror.

These are — a short wand, a specially adapted table, and certain secret pockets in the magician's dress.


THE MAGIC WAND.

This is a light rod, twelve to fifteen inches in length, and about three-quarters of an inch in diameter. To the uninitiated its use may appear a mere affectation, but such is by no means the case. Apart from the prestige derived from the traditional properties of the wand, it affords a plausible pretext for many necessary movements, which would otherwise appear awkward and unnatural.

Thus, if the performer desires to hold anything concealed in his hand, by holding the wand in the same hand he is able to keep it closed without exciting suspicion. If it is necessary, as frequently happens, to turn his back upon the audience for an instant, the momentary turn to the table, in order to take up or lay down the wand, affords the required opportunity.


THE magician's TABLE. The first necessity of the amateur, aspiring to amuse his friends with a pre-arranged séance, is a proper table. The table necessary for an average drawing-room exhibition differs from an ordinary table in two points only: its height, which is about six inches greater than usual; and the addition of a hidden shelf or ledge at the back. It should have turned legs of some hard wood, stained and polished, and these, if it is desired to make the table portable, should be screwed into the four corners, so as to be readily taken off and put on again. In length it may be three to four feet, and in breadth eighteen inches to two feet. At the back should be fixed, about six inches below the level of the top of the table, a projecting shelf, six to eight inches in width, and extending nearly from end to end. This shelf, which is technically known as the servante, should be covered with thick woolen cloth, in order to deaden the sound of any object falling on it.

The manner of fixing the servante is optional. In some tables it is made to slide in and out like a drawer ; in others to fold on hinges against the back of the table, or itself to form the back. This latter is the most convenient mode, as the opening made by the flap when let down gives access to the interior of the table, which forms a convenient receptacle for necessary articles. Over the table should be thrown an ordinary cloth table-cover, of such a size as to hang down about ten or fifteen inches at the front and sides, but not more than an inch or so on the side away from the audience.

To prevent its slipping, the cloth may be fastened on this side with a couple of drawing-pins. The precise height of the table should be determined by the stature of the performer. The servante should be just so high from the ground as to be level with the knuckles of the performer as his arm hangs by his side; and the top of the table, as already stated, about six inches higher than this. It will be found that this height will enable the performer secretly to take up or lay down any article thereon without stooping or bending the arm, either of which movements would suggest to the spectators that his hand was occupied in some manner behind the table. One of the first tasks of the novice should be to acquire the power of picking up or laying down any article on the servante without making any corresponding movement of the body, and especially without looking down at his hands, for if the audience once suspect that he has a secret receptacle behind the table, half the magic of his tricks is destroyed.

Conjuring Tricks with Coins, Watches, Rings and Hankerchiefs by Professor Hoffmann

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